CLEOPATRA AND ANTONY.
Cleopatra espouses Antony’s cause.–Her motives.–Antony’s early
life.–His character.–Personal habits of Antony.–His dress and
manners.–Vicious indulgences of Antony.–Public condemnation.–Vices of
the great.–Candidates for office.–Antony’s excesses.–His luxury and
extravagance.–Antony’s energy.–His powers of endurance.–Antony’s
vicissitudes.–He inveighs away the troops of Lepidus.–Antony’s
marriage.–Fulvia’s character.–Fulvia’s influence over Antony.–The
sudden return.–Change in Antony’s character.–His generosity.–Funeral
ceremonies of Brutus.–Antony’s movements.–Antony’s summons to
Cleopatra.–The messenger Dellius.–Cleopatra resolves to go to
Antony.–Her preparations.–Cleopatra enters the Cydnus.–Her splendid
barge.–A scene of enchantment.–Antony’s invitation refused.
–Cleopatra’s reception of Antony.–Antony outdone.–Murder of
Arsinoë.–Cleopatra’s manner of life at Tarsus.–Cleopatra’s
munificence.–Story of the pearls.–Position of Fulvia.–Her anxiety and
distress.–Antony proposes to go to Rome.–His plans frustrated by
Cleopatra.–Antony’s infatuation.–Feasting and revelry.–Philotas.–The
story of the eight boats.–Antony’s son.–The garrulous guest.–The
puzzle.–The gold and silver plate returned.–Debasing pleasures.
–Antony and Cleopatra in disguise.–Fishing excursions.–Stratagems.
–Fulvia’s plans for compelling Antony to return.–Departure of
Antony.–Chagrin of Cleopatra.
How far Cleopatra was influenced, in her determination to espouse the
cause of Antony rather than that of Brutus and Cassius, in the civil war
described in the last chapter, by gratitude to Caesar, and how far, on
the other hand, by personal interest in Antony, the reader must judge.
Cleopatra had seen Antony, it will be recollected, some years before,
during his visit to Egypt, when she was a young girl. She was doubtless
well acquainted with his character. It was a character peculiarly
fitted, in some respects, to captivate the imagination of a woman so
ardent, and impulsive, and bold as Cleopatra was fast becoming.
Antony had, in fact, made himself an object of universal interest
throughout the world, by his wild and eccentric manners and reckless
conduct, and by the very extraordinary vicissitudes which had marked his
career. In moral character he was as utterly abandoned and depraved as
it was possible to be. In early life, as has already been stated, he
plunged into such a course of dissipation and extravagance that he
became utterly and hopelessly ruined; or, rather, he would have been so,
had he not, by the influence of that magic power of fascination which
such characters often possess, succeeded in gaining a great ascendency
over a young man of immense fortune, named Curio, who for a time upheld
him by becoming surety for his debts. This resource, however, soon
failed, and Antony was compelled to abandon Rome, and to live for some
years as a fugitive and exile, in dissolute wretchedness and want.
During all the subsequent vicissitudes through which he passed in the
course of his career, the same habits of lavish expenditure continued,
whenever he had funds at his command. This trait of character took the
form sometimes of a noble generosity. In his campaigns, the plunder
which he acquired he usually divided among his soldiers, reserving
nothing for himself. This made his men enthusiastically devoted to him,
and led them to consider his prodigality as a virtue, even when they did
not themselves derive any direct advantage from it. A thousand stories
were always in circulation in camp of acts on his part illustrating his
reckless disregard of the value of money, some ludicrous, and all
eccentric and strange.
In his personal habits, too, he was as different as possible from other
men. He prided himself on being descended from Hercules, and he affected
a style of dress and a general air and manner in accordance with the
savage character of this his pretended ancestor. His features were
sharp, his nose was arched and prominent, and he wore his hair and beard
very long–as long, in fact, as he could make them grow. These
peculiarities imparted to his countenance a very wild and ferocious
expression. He adopted a style of dress, too, which, judged of with
reference to the prevailing fashions of the time, gave to his whole
appearance a rough, savage, and reckless air. His manner and demeanor
corresponded with his dress and appearance. He lived in habits of the
most unreserved familiarity with his soldiers. He associated freely with
them, ate and drank with them in the open air, and joined in their noisy
mirth and rude and boisterous hilarity. His commanding powers of mind,
and the desperate recklessness of his courage, enabled him to do all
this without danger. These qualities inspired in the minds of the
soldiers a feeling of profound respect for their commander; and this
good opinion he was enabled to retain, notwithstanding such habits of
familiarity with his inferiors as would have been fatal to the influence
of an ordinary man.
In the most prosperous portion of Antony’s career–for example, during
the period immediately preceding the death of Caesar–he addicted himself
to vicious indulgences of the most open, public, and shameless
character. He had around him a sort of court, formed of jesters,
tumblers, mountebanks, play-actors, and other similar characters of the
lowest and most disreputable class. Many of these companions were
singing and dancing girls, very beautiful, and very highly accomplished
in the arts of their respective professions, but all totally corrupt and
depraved. Public sentiment, even in that age and nation, strongly
condemned this conduct. The people were pagans, it is true, but it is a
mistake to suppose that the formation of a moral sentiment in the
community against such vices as these is a work which Christianity alone
can perform. There is a law of nature, in the form of an instinct
universal in the race, imperiously enjoining that the connection of the
sexes shall consist of the union of one man with one woman, and that
woman his wife, and very sternly prohibiting every other. So that there
has probably never been a community in the world so corrupt, that a man
could practice in it such vices as those of Antony, without not only
violating his own sense of right and wrong, but also bringing upon
himself the general condemnation of those around him.
Still, the world is prone to be very tolerant in respect to the vices of
the great. Such exalted personages as Antony seem to be judged by a
different standard from common men. Even in the countries where those
who occupy high stations of trust or of power are actually selected, for
the purpose of being placed there, by the voices of their fellow-men,
all inquiry into the personal character of a candidate is often
suppressed, such inquiry being condemned as wholly irrelevant and
improper, and they who succeed in attaining to power enjoy immunities in
their elevation which are denied to common men.
But, notwithstanding the influence of Antony’s rank and power in
shielding him from public censure, he carried his excesses to such an
extreme that his conduct was very loudly and very generally condemned.
He would spend all the night in carousals, and then, the next day, would
appear in public, staggering in the streets. Sometimes he would enter
the tribunals for the transaction of business when he was so intoxicated
that it would be necessary for friends to come to his assistance to
conduct him away. In some of his journeys in the neighborhood of Rome,
he would take a troop of companions with him of the worst possible
character, and travel with them openly and without shame. There was a
certain actress, named Cytheride, whom he made his companion on one such
occasion. She was borne upon a litter in his train, and he carried about
with him a vast collection of gold and silver plate, and of splendid
table furniture, together with an endless supply of luxurious articles
of food and of wine, to provide for the entertainments and banquets
which he was to celebrate with her on the journey. He would sometimes
stop by the road side, pitch his tents, establish his kitchens, set his
cooks at work to prepare a feast, spread his tables, and make a
sumptuous banquet of the most costly, complete, and ceremonious
character–all to make men wonder at the abundance and perfection of the
means of luxury which he could carry with him wherever he might go. In
fact, he always seemed to feel a special pleasure in doing strange and
extraordinary things in order to excite surprise. Once on a journey he
had lions harnessed to his carts to draw his baggage, in order to create
a sensation.
Notwithstanding the heedlessness with which Antony abandoned himself to
these luxurious pleasures when at Rome, no man could endure exposure and
hardship better when in camp or on the field. In fact, he rushed with as
much headlong precipitation into difficulty and danger when abroad, as
into expense and dissipation when at home. During his contests with
Octavius and Lepidus, after Caesar’s death, he once had occasion to pass
the Alps, which, with his customary recklessness, he attempted to
traverse without any proper supplies of stores or means of
transportation. He was reduced, on the passage, together with the troops
under his command, to the most extreme destitution and distress. They
had to feed on roots and herbs, and finally on the bark of trees; and
they barely preserved themselves, by these means, from actual
starvation. Antony seemed, however, to care nothing for all this, but
pressed on through the difficulty and danger, manifesting the same
daring and determined unconcern to the end. In the same campaign he
found himself at one time reduced to extreme destitution in respect to
men. His troops had been gradually wasted away until his situation had
become very desperate. He conceived, under these circumstances, the most
extraordinary idea of going over alone to the camp of Lepidus and
enticing away his rival’s troops from under the very eyes of their
commander. This bold design was successfully executed. Antony advanced
alone, clothed in wretched garments, and with his matted hair and beard
hanging about his breast and shoulders, up to Lepidus’s lines. The men,
who knew him well, received him with acclamations; and pitying the sad
condition to which they saw that he was reduced, began to listen to what
he had to say. Lepidus, who could not attack him, since he and Antony
were not at that time in open hostility to each other, but were only
rival commanders in the same army, ordered the trumpeters to sound in
order to make a noise which should prevent the words of Antony from
being heard. This interrupted the negotiation; but the men immediately
disguised two of their number in female apparel, and sent them to Antony
to make arrangements with him for putting themselves under his command,
and offering, at the same time, to murder Lepidus, if he would but speak
the word. Antony charged them to do Lepidus no injury. He, however, went
over and took possession of the camp, and assumed the command of the
army. He treated Lepidus himself, personally, with extreme politeness,
and retained him as a subordinate under his command.
Not far from the time of Caesar’s death, Antony was married. The name of
the lady was Fulvia. She was a widow at the time of her marriage with
Antony, and was a woman of very marked and decided character. She had
led a wild and irregular life previous to that time, but she conceived a
very strong attachment to her new husband and devoted herself to him
from the time of her marriage with the most constant fidelity. She soon
acquired a very great ascendency over him, and was the means of
effecting a very considerable reform in his conduct and character. She
was an ambitious and aspiring woman, and made many very efficient and
successful efforts to promote the elevation and aggrandizement of her
husband. She appeared, also, to take a great pride and pleasure in
exercising over him, herself, a great personal control. She succeeded in
these attempts in a manner that surprised every body. It seemed
astonishing to all mankind that such a tiger as he had been could be
subdued by any human power. Nor was it by gentleness and mildness that
Fulvia gained such power over her husband. She was of a very stern and
masculine character, and she seems to have mastered Antony by surpassing
him in the use of his own weapons. In fact, instead of attempting to
soothe and mollify him, she reduced him, it seems, to the necessity of
resorting to various contrivances to soften and propitiate her. Once,
for example, on his return from a campaign in which he had been exposed
to great dangers, he disguised himself and came home at night in the
garb of a courier bearing dispatches. He caused himself to be ushered,
muffled and disguised as he was, into Fulvia’s apartments, where he
handed her some pretended letters, which, he said, were from her
husband; and while Fulvia was opening them in great excitement and
trepidation, he threw off his disguise, and revealed himself to her by
clasping her in his arms and kissing her in the midst of her amazement.
Antony’s marriage with Fulvia, besides being the means of reforming his
morals in some degree, softened and civilized him in respect to his
manners. His dress and appearance now assumed a different character. In
fact, his political elevation after Caesar’s death soon became very
exalted, and the various democratic arts by which he had sought to raise
himself to it, being now no longer necessary, were, as usual in such
cases, gradually discarded. He lived in great style and splendor when at
Rome, and when absent from home, on his military campaigns, he began to
exhibit the same pomp and parade in his equipage and in his arrangements
as were usual in the camps of other Roman generals.
After the battle of Philippi, described in the last chapter,
Antony–who, with all his faults, was sometimes a very generous foe–as
soon as the tidings of Brutus’s death were brought to him, repaired
immediately to the spot, and appeared to be quite shocked and concerned
at the sight of the body. He took off his own military cloak or
mantle–which was a very magnificent and costly garment, being enriched
with many expensive ornaments–and spread it over the corpse. He then
gave directions to one of the officers of his household to make
arrangements for funeral ceremonies of a very imposing character, as a
testimony of his respect for the memory of the deceased. In these
ceremonies it was the duty of the officer to have burned the military
cloak which Antony had appropriated to the purpose of a pall, with the
body. He did not, however, do so. The cloak being very valuable, he
reserved it; and he withheld, also, a considerable part of the money
which had been given him for the expenses of the funeral. He supposed
that Antony would probably not inquire very closely into the details of
the arrangements made for the funeral of his most inveterate enemy.
Antony, however, did inquire into them, and when he learned what the
officer had done, he ordered him to be killed.
The various political changes which occurred, and the movements which
took place among the several armies after the battle of Philippi, can
not be here detailed. It is sufficient to say that Antony proceeded to
the eastward through Asia Minor, and in the course of the following year
came into Cilicia. From this place he sent a messenger to Egypt to
Cleopatra, summoning her to appear before him. There were charges, he
said, against her of having aided Cassius and Brutus in the late war
instead of rendering assistance to him. Whether there really were any
such charges, or whether they were only fabricated by Antony as pretexts
for seeing Cleopatra, the fame of whose beauty was very widely extended,
does not certainly appear. However this may be, he sent to summon the
queen to come to him. The name of the messenger whom Antony dispatched
on this errand was Dellius. Fulvia, Antony’s wife, was not with him at
this time. She had been left behind at Rome.
Dellius proceeded to Egypt and appeared at Cleopatra’s court. The queen
was at this time about twenty-eight, but more beautiful, as was said,
than ever before. Dellius was very much struck with her beauty and with
a certain fascination in her voice and conversation, of which her
ancient biographers often speak as one of the most irresistible of her
charms. He told her that she need have no fear of Antony. It was of no
consequence, he said, what charges there might be against her. She would
find that, in a very few days after she had entered into Antony’s
presence, she would be in great favor. She might rely, in fact, he said,
on gaining, very speedily, an unbounded ascendency over the general. He
advised her, therefore, to proceed to Cilicia without fear; and to
present herself before Antony in as much pomp and magnificence as she
could command. He would answer, he said, for the result.
Cleopatra determined to follow this advice. In fact, her ardent and
impulsive imagination was fired with the idea of making, a second time,
the conquest of the greatest general and highest potentate in the world.
She began immediately to make provision for the voyage. She employed all
the resources of her kingdom in procuring for herself the most
magnificent means of display, such as expensive and splendid dresses,
rich services of plate, ornaments of precious stones and of gold, and
presents in great variety and of the most costly description for Antony.
She appointed, also, a numerous retinue of attendants to accompany her,
and, in a word, made all the arrangements complete for an expedition of
the most imposing and magnificent character. While these preparations
were going forward, she received new and frequent communications from
Antony, urging her to hasten her departure; but she paid very little
attention to them. It was evident that she felt quite independent, and
was intending to take her own time.
At length, however, all was ready, and Cleopatra set sail. She crossed
the Mediterranean Sea, and entered the mouth of the River Cydnus. Antony
was at Tarsus, a city upon the Cydnus, a small distance above its mouth.
When Cleopatra’s fleet had entered the river, she embarked on board a
most magnificent barge which she had constructed for the occasion, and
had brought with her across the sea. This barge was the most magnificent
and highly-ornamented vessel that had ever been built. It was adorned
with carvings and decorations of the finest workmanship, and elaborately
gilded. The sails were of purple, and the oars were inlaid and tipped
with silver. Upon the deck of this barge Queen Cleopatra appeared,
under a canopy of cloth of gold. She was dressed very magnificently in
the costume in which Venus, the goddess of Beauty, was then generally
represented. She was surrounded by a company of beautiful boys, who
attended upon her in the form of Cupids, and fanned her with their
wings, and by a group of young girls representing the Nymphs and the
Graces. There was a band of musicians stationed upon the deck. This
music guided the oarsmen, as they kept time to it in their rowing; and,
soft as the melody was, the strains were heard far and wide over the
water and along the shores, as the beautiful vessel advanced on its way.
The performers were provided with flutes, lyres, viols, and all the
other instruments customarily used in those times to produce music of a
gentle and voluptuous kind.
